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Figuring genre in Roman satire

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Published by Oxford University Press in New York .
Written in English



  • Rome.


  • Verse satire, Latin -- History and criticism,
  • Literary form -- History -- To 1500,
  • Literature and society -- Rome,
  • Social problems in literature

Book details:

Edition Notes

Includes bibliographical references.

StatementCatherine Keane.
SeriesAmerican classical studies ;, v. 51, American classical studies ;, no. 51.
LC ClassificationsPA6056 .K37 2006
The Physical Object
Paginationp. cm.
ID Numbers
Open LibraryOL3407925M
ISBN 100195183304
ISBN 109780195183306
LC Control Number2005023766

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Figuring Genre in Roman Satire Catherine Keane Society for Classical Studies American Classical Studies. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, developed a unique mode of social criticism by borrowing from their culture's existing methods of entertainment and moral judgment. Keane, in Figuring Genre in Roman Satire, looks at the satiric poetry of Horace, Persius, and Juvenal in a generic satirist is an observer of society, but not a passive, objective, or unaffected observer. Each of the satirists in turn constructs a programme in which there are four key elements in the satiric position, namely performance, criticism, litigation, and teaching. Read "Figuring Genre in Roman Satire" by Catherine Keane available from Rakuten Kobo. Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists o Brand: Oxford University Press.   Founder of the Genre of Satire. Although there were earlier Latin writers instrumental in developing the genre of satire, the official founder of this Roman genre is Lucilius, of whom we have only fragments. Horace, Persius, and Juvenal followed, leaving us many complete satires about the life, vice, and moral decay they saw around them.

  This compact and critically up-to-date introduction to Roman satire examines the development of the genre, focusing particularly on the literary and social functionality of satire. It considers why it was important to the Romans and why it still matters. Provides a compact and critically up-to-date introduction to Roman satire. W. S. Anderson, "The Roman Socrates: Horace and his satires," p. [ in J. P. Sullivan (ed.), Satire (Bloomington, Indiana: University of Indiana Press )] Book I of the Sermones marks a crucial stage in the development of Roman satire and of Horatian poetry. After studying Lucilius' very successful satires, Horace decided on a thorough renovation. Figuring genre in Roman satire. New York, NY: Oxford University Press. All "fake news" is not equal -But smart or dumb, it all grows from the same root The book opens by analyzing the.   Melvyn Bragg and guests discuss Roman Satire. Much of Roman culture was a development of their rich inheritance from the Greeks. But satire was a form the Romans could claim to have invented. The grandfather of Roman satire, Ennius, was also an important figure in early Roman literature more generally.

Figuring Genre in Roman Satire - Ebook written by Catherine Keane. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read Figuring Genre in Roman : Catherine Keane.   Figuring Genre in Roman Satire by Catherine Keane, , available at Book Depository with free delivery worldwide.4/5(3).   Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argues that poets working with such material composed in accordance with shared generic principles and literary protocols. It encourages a synoptic, synchronic view of such poetry, from archaic iambus through Roman satire, and argues that if we can appreciate the abstract poetics of 2/5(1). Satire is an entertaining, provocative, and powerful literary genre that the Romans claimed as their own invention. This course will focus (in translation) on the satirists of the late Republic and early Empire, including Lucilius, Horace, Persius, Seneca the Younger, .